Van Summerill, Oct. 2, 1987

Van Summerill, 1987

By DONALD PORTER
Standard-Examiner staff

Moviegoers can be divided into two groups: those who enjoy movies, and those who love movies. Then there's Van Summerill, whose regard for movies transcends even love. For him, it's a passion, an obsession.

Walk into the living room of Summerill's modest home, and the pictures on the walls give an early hint of this devotion. Hanging behind a love seat are movie posters and placards trumpeting various movie theaters like Radio City Music Hall. And if that isn't enough to tip you off, he's wearing a tan T-shirt with a blue Paramount Pictures logo stenciled on the front.

Still, even that isn't adequate preparation for what's downstairs. At the bottom of the stairs and to the right there's a concession stand, a restroom and more movie posters on the walls. And straight ahead, through a draped doorway, is a movie theater.

Woody Strode, July 18, 1987

Sometimes in life, you get to meet people you've admired since you can remember. That's what happened with several actors over the few years of the National Western Film Festival in Ogden. One of those people was Woody Strode. I cornered him at the Hilton Hotel in Ogden, and he was gracious enough to pile into a car with photographer Blair Kooistra and me, and we drove around west Ogden looking for a place to take his photo -- and I peppered him with questions the whole time. Finally we settled on some old wooden gates in the ancient Ogden stockyards. What an afternoon.

By DONALD PORTER
Standard-Examiner staff

When Francis Ford Coppola was directing "The Cotton Club" a few years ago, he needed someone to play the small role of the club's doorman. And Coppola, being the persnickety director that he is, would consider only one man for the part -- Woody Strode.

"I can't even see myself in the movie, to tell you the truth," Strode said Thursday as he walked through the Ogden stockyards near the Golden Spike Coliseum. "But you know what I got paid for the itty-bitty part? Sixty-two thousand dollars. Can you believe it?"

To hear Strode tell it, luck like that has followed him all his life.

Kim Basinger, 1987 ("Nadine")

I junketed to San Francisco during the summer of 1987 to interview Kim Basinger, Jeff Bridges and Robert Benton for the action-comedy "Nadine." Here's the resulting story from the Basinger interview.

Aug. 7, 1987
By DONALD PORTER
Standard-Examiner staff
SAN FRANCISCO -- An occupational hazard of a career in journalism is that most reporters are called upon to complete extremely boring and mundane tasks on a regular basis.

Interviewing Kim Basinger, however, isn't one of them.

It's not that the actress happens to be astonishingly beautiful, although she is. Instead, it has more to do with her surprising candor and humorous approach to virtually every topic of conversation. When she's asked a question, she answers. And that, folks, is a rarity in the motion picture business.

Basinger was in San Francisco recently to promote her new film, "Nadine," which was directed by Robert Benton ("Kramer vs. Kramer," "Places in the Heart") and co-stars Jeff Bridges ("Jagged Edge"). "Nadine" is a departure for Basinger, since she's the undisputed star of the film. In past movies -- "The Natural," "Never Say Never Again," "The Man Who Loved Women," "9 1/2 Weeks" and "Blind Date" -- she played doormat roles that took a back seat to male leads.