Burt Reynolds, March 1987 ("Heat" review)

Burt Reynolds in "Heat"

By DONALD PORTER
Standard·Examiner staff

Dear Burt Reynolds,

I feel compelled to write this letter because I've been a fan of yours for about 20 years. And the past 10 years, Burt, haven't been very pleasant. But I'm hanging in there, hoping for a respite from the drudgery you've been releasing. And I realize I'll be waiting a little longer, because your new film, "Heat," isn't exactly a redemptive effort.

Still, it's good to see you back in front of the cameras. You've been gone from the screen for two years, ever since "Stick" bombed in 1985. It may have been smart to duck and cover for a while. After all, you've made only two marginally good films -- "Paternity" and "Best Friends" -- since the fantastic "Starting Over" in 1979.

"Heat" is a move in the right direction, yet it, too, has serious flaws. The Nick Escalante character you play is an interesting man, an ex-mercenary who hires himself out as a bodyguard for high-rolling gamblers on the Las Vegas strip. You give Nick some depth and a few foibles, but William Goldman's script is abysmally boring and always predictable. Once Nick runs afoul of a mobster's son, we can see the final confrontation and ensuing shoot-out coming from a mile away.

"Heat" (1995)

Given that Michael Mann's latest film, "Public Enemies," is still in (a few) theaters, I thought I'd post my review of "Heat," which was a lot of fun. I especially liked the after-heist shootout through the streets of Los Angeles, which oddly enough would be played out in real life not too long afterward.

“Heat” is on with great acting, writing, intensity

By DONALD PORTER

Standard-Examiner staff

There is an action scene in “Heat” that is as visceral and powerful as any filmed in years: Four bank robbers are attempting to make their getaway, but they’re encircled by cops in downtown Los Angeles. Both sides are heavily armed, and writer-director Michael Mann, instead of showing us the resulting shootout, puts his audience smack-dab in the middle of it.

For all of the violent action flicks being made, few have ever matched this portion of “Heat.” Words like “intense” and “powerful” come up short.