By DONALD PORTER
Standard-Examiner
Steven Spielberg, Alfred Hitchcock and Charles Chaplin form what is perhaps the cinema's most exclusive club: film directors who enjoy wide name recognition with the moviegoing public.
Spielberg -- the director of "E.T., The Extra-Terrestrial," "Jurassic Park," "Jaws" and "Raiders of the Lost Ark" -- is certainly the most famous director of the past two decades. Prior to that time, however, it had to be Alfred Hitchcock.
People went to see "'the new Hitchcock movie." It was the filmmaker's name, as much or more than his stars, that sold the movies. He was billed as the Master of Suspense and the Minister of Fear, and the titles were truth in advertising.
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| Jeffrey Boam |
By DONALD PORTER
Standard-Examiner staff
BURBANK. Calif. -- Mel Gibson and Danny Glover are standing in the corner, alongside Dennis Quaid. A set of still photos chronicling the demolition of a house in the movie "Lethal Weapon 2" is framed on the wall next to the actors, and bears the handwritten inscription: "Jeff, we did it. Next time, go easy. Love ya, Donner."
Jeffrey Boam sits in the opposite corner of the room, which happens to be his office, ignoring Mel, Danny and Dennis because they are made out of cardboard; the life-size figures are theater lobby advertisements for two of the movies he's written. And the set of framed stills is a gift from "Lethal Weapon 2" director Richard Donner.
You wouldn't be alone if you admjtted Jeffrey Boam's name doesn't ring a bell. But if you go to movies. you've probably seen it on the screen. Boam's job is done behind the camera, off the set, in an office at his home. It's where the 41-year-old screenwriter has penned such familiar movies as "The Dead Zone," "lnnerspace," "Funny Farm," "The Lost Boys," "Lethal Weapon 2" and "Indiana Jones and the Last Crusade."
By DONALD PORTER
Standard-Examiner staff
OGDEN -- Filmmakers must wonder if half the kids in America want to be in the movies. Before the casting calls for “Three O'Clock High" were over, about 3,200 actors had auditioned for the lead role.
Chicago-born actor Casey Siemaszko was one of the 3,200 who showed up for casting calls in Los Angeles, New York or Chicago – or who sent in a videotape (they came from 17 states) – hoping to win the part of high school journalism student Jerry Mitchell. Two and a half months later, in September 1986 – after a series of readings and screen tests – Siemaszko got the part. Four days later, he was in Ogden preparing for his first starring role in a motion picture.
"The first time I read for (the part) I had just finished 'Gardens of Stone,’” Siemaszko (pronounced Sham-OSH-koe) said during a lunch break at Ogden High School last November. "I was a soldier in that film and I had a buzz-cut and flat-top and I wore a white T-shirt. … I didn't feel like I looked right for the part.
By DONALD PORTER
Standard-Examiner staff
For a first-time feature film director, Phil Joanou has been getting more than his share of attention. His "Three O'Clock High" is being released today, but already the 25-year-old has been called one of the "hottest" young directors in the business by magazines like American Film and Premiere.
So, why- all the hubbub? Well, first off, Joanou was "discovered" by Steven Spielberg, the hottest of the hot directors in a town where everything is measured in terms of heat -- hot directors, hot pictures, hot actors, hot scripts, hot, hot, hot.
It all started with a phone call. The day after Joanou's student film "Last Chance Dance" was shown at the annual University of Southern California film-school screening -- where student films are screened for industry professionals -- Spielberg phoned Joanou at home, asking if he'd like to direct an episode of "Amazing Stories."
This is not a complete transcript of the interview. My vague recollection was that I was facing a pretty tight deadline, and so I skimmed through the recording and only transcribed the notes I thought I might use in the interview story. That said, the nuggets here are pretty interesting, given the way things played out:
* On “Lethal Weapon IV”: Jeffrey got no credit whatsoever. It turned out to be another bad “Lethal Weapon” experience with Warner Bros. and Richard Donner. Before the interview, he sent me a copy of the screenplay. At the time, I suspected he was eager to talk about it because he felt like it might be slipping away and going to another writer, and so he was trying to salvage it. His script, if I’m remembering correctly, involved the Los Angeles Lakers on a jet and a terrorist attack.
* He also mentions “The Phantom,” which he alluded to in our earlier interview. That movie bombed.
* On the fourth “Indiana Jones” movie, he didn’t get a credit, either. But what little he says about it sounds like George Lucas had the story pretty well set even back in the mid-1990s.
Don Porter: THE RIGHT-WING TERRORISM THING SEEMS PRETTY DEAD-ON.
Jeffrey Boam: “It seemed kind of far-fetched when I wrote it. [The Oklahoma City bombing] kind of spooked me a little bit, actually.”
